At Dochu La pass, 108 chortens (stupas) built in a circular mound greeted us. Built in 2003 by the Queen Mother, it commemorates the deaths of those involved in the war with Assamese (Indian) separatists in the border areas between India & Bhutan. Assamese separatists were using Bhutanese border towns to launch assault on India, and after 7 years of futile negotiations with them, the king decided to flush them out with the help of the Indian army.
It was a misty morning when we were there, but on a clear day, you can see the some of the highest Himalayan peaks from here.
The chortens, like the Nepalese stupas, Chinese pagodas, and Tibetan counterparts, house Buddhist relics, or ashes of monks or loved ones
Rest houses at both ends of the bridge allowed visitors a place to rest or spend the night if they missed the opening times of the gates. The temple is in the background.
The gatehouses were simple two-storey wooden structures with an open space for visitors to rest.
Our guide explaining the three most important Buddhist figures in Bhutan: Padmasambhava (also known as Guru Rinpoche in Tibet & Bhutan), a highly influential 8th century Buddhist teacher from India on the left, the historical Gautama Buddha in the center, and Zhabdrung Ngawang Namgyal, a Tibetan lama and unifier of the Bhutanese state in the 17th century.
By the way, notice the large sagging pouch created by the folds of our guide's gho (traditional men's costume). He described it as a 360 degree pocket because it goes all the way to the back. The men store everything in it: mobile phone, wallet, papers, prayer beads, etc. Very handy. I think YL is jealous - look at his unwieldy backpack.
Tsatsa (mini chorten) are often found in or near religious places as a Buddhist offering or to ask for blessings or to remember a loved one. Inside the chorten are ashes of loved ones, slips of papers with names of the sick written on it or some other religious artefact.
Gathering courage to cross the bridge. YL stomped across in under a minute. He had a surprisingly high confidence in a 15th century bridge suspended over a gushing river several metres below. Turned out he thought this was a replica and not a surviving 15th century bridge. Ignorance is helpful sometimes.
Fortunately, 15th-century Tibetan monks seem to make very strong and lasting iron bridges, so we survived to continue our drive to Thimpu.
The closest thing to a mall. Buildings are rarely more than 5 stories high as the country is within the earthquake zone.
The "modern" buildings sprouting out all over the capital are mostly boring squarish structures. The buildings outside of the capital are more interesting.
I wonder if there are any other capital cities in the world without at least one set of traffic lights? In Thimpu, this roundabout is the center of the town, and this traffic police is the center of that center.
The offices of the United Nations. The handpainted sign, low rise, low-tech building made it feel like a sweet little village school.
A dzong is a fortress-monastery which traditionally acted simultaneously as watchtowers, dungeons, storage for ammunition, temples and monks' quarters. Trashi Chhoe Dzong (Thimpu Dzong) is a good example of such structures, and today hosts one of the major tsechu (religious festivals) in the country.
Today most dzongs are separated into two sections: a monastic wing, and a civil administrative wing housing the junior courts, for instance.
Today most dzongs are separated into two sections: a monastic wing, and a civil administrative wing housing the junior courts, for instance.
The locals are dressed in traditional clothes to attend the tsechu (religious festival), but they pretty much dress like this everyday as well. Our guide recalled that people would never even think of leaving their house dressed in jeans or tees just 10 years earlier. Today, the young ones here are indistinguishable from their counterparts in Singapore or the USA, although the traditional costumes still has an undeniably prominent role in their culture.
The kira (traditional women's costume) is such an elegant piece that reminds me of a Japanese kimono crossed with the Malay baju kurung. The sight of women wearing it alone is enough to transport you back in time.
The entrance to the dzong is graced by these colourful, expressive Buddhist paintings and a nondescript metal detector.
We were lucky to be in the country just before the peak tourist period, so we were the lone tourists in almost all the places we visited. Or perhaps this is just the result of the country's "high quality, low impact" tourism policy. The day we arrived in Thimpu was the first day of a major tsechu (religious festival) but as the first day is normally just a prelude to the real stuff, we shared the place with just under a hundred visitors, mostly locals. On the main days of the festival, one can expect the place to be packed with several thousands of spectators.
A group of friends waiting for the action to start. The sashes that the men wear denote their place in society. Pure white sashes are for commoners. White with red borders (seen on the man on the extreme right) mean he has some other special position in society (unknown to me)
These good-looking tourists were wiling time away by posing for photos
This devotee decided to be more productive than those two shallow tourists and started praying and prostrating in several directions around the square
Aha! Finally! The clowns monks are out! The one in the yellow in the middle of the crowd is the Je Khenpo, the head of the central monk body of Bhutan.
On the first day of the festival, the dances performed are relatively mild and simple without the famous masks, done as blessings for the festival, the site, and the people. This one is the Dance of the Black Hats representing yogis who have the power to create and destroy life.
We only stayed for about an hour, but I guess it goes on for several hours
The locals came in all shapes and sizes, but mostly the very young or the old, since the two public holidays for the festival only started the following day.
After we left the dzong, we visited the National Institute for Preservation of Traditional Arts and Crafts. Official signs like these are always handpainted on wood. I like it; it is so quaint.
Sketches of hand gestures and other body parts of Buddhas, Bodhisattvas, and other religious figures on one of the blackboards of a class
Templates for an illustration of a representation of a Buddha, Vajradhara, and his consort, Vajradhatvishvari. This type of imagery is commonly found in Tantric or Vajrayana Buddhism (the school of Buddhism practiced mostly in Tibet and Bhutan), and is created as a visualisation aid for meditation. Most would likely be compelled by its erotic nature, but it is simply a symbolism of the union or completeness, or yin-yang if you wish, that is required to reach enlightenment. The male aspect represents compassion, while the female represents wisdom, among other things. They are necessarily provocative to help confront one's inner demons, fears and desires.
For pure naughtiness, you will have to wait until I talk about the wandering ascetic, Drukpa Kunley, nicknamed The Divine Madman, much revered in Bhutan for his ...umm let's say "unconventional" ways of teaching Buddhism.
Using gold paint to add delicate details to the fabric of the figure on a thangka (Buddhist painting on silk); incredibly painstaking work, and oh so beautiful
The big picture
More apprentices working on paintings
Drying the clay statues
Colouring the clay statues
Tools of the trade for wood carving
Finished results
Name of student on the back of the carving above, ready for marking by the teacher. Don't you think the handwriting has an Indian slant to it?
India has a very special position in Bhutan, due to a tangled web of links since her early days. The fact that Buddhism originated from India is one big reason. Bhutan has played hosts to many important Buddhist teachers and monks from India over the centuries, starting from Padmasambhava (Guru Rinpoche) in the 8th century. In more recent history, India has propped up Bhutan's development, channeling funds, assistance and various resources to the small kingdom. Many Bhutanese pursue higher education in India. Many of them speak English today peppered with quintessentially Indian-English forms of expressions, a slight Indian twang and the customary Indian tilt of head. Indian tourists are the only ones exempted from a visa or the use of tour agents, and they pay local prices for food, transportation & accommodation. Bhutan sells hydropower to India at a heavily subsidised price.

And Bhutan loves Bollywood: Inside a classroom at the National Institute for Traditional Arts.
This class of embroiders
Modernity has a place in the traditional, too: Students at the institute are also given computer training. We saw some students using advanced software to document and plan their handiwork
And finally, before we left Thimpu, we stopped by a sanctuary for Bhutan's national animal, the takin, a curious breed that looks like a cross between a goat and a cow. They can only be found in Bhutan and some parts of Tibet. Apparently taxonomists are still stumped by the animal. Not able to categorise it into any existing species, they created a new one for it. See for yourself:
Legend says that the takin was created by the 16th-century monk, the Divine Madman, who, annoyed at being asked to prove his powers to the local community, simply took the bones of the animals that he has feasted on earlier - a cow and a goat, placed them together, and commanded it to life.
Wow, that is a lot to say for a 6-hour visit. Will break up future posts to make them more digestable.








































































